Roundies
Open The paintings in the ‘Open’ series refer to the idea of ‘reopening’ that dominated pandemic language — when can we reopen, return and resume? These works respond to that collective fixation, and use the Apple keyboard shortcut for ‘open’ (⌘ + O) as both a visual reference and a metaphor for freedom and the desire to move forward.
Sisterhood To celebrate International Women’s Day, and the incredible women in my life and beyond, I created a series of paintings that reference the female symbol (♀). Using symmetry and interconnected shapes, the works explore ideas of unity, support and collective strength, while bright, high-contrast colours give them an energetic and optimistic tone.
Vortices These were painted during one of Melbourne’s long lockdowns in 2020, when time and routine began to feel repetitive and slightly disorienting. The sense of being caught in a continuous loop and unable to move forward became palpable. When the city reopened again, QR codes had become part of the visual and social landscape, and were distinct symbols of the 'new normal'.
Open No.1
acrylic on wooden panel, 40 × 40 cm, 2022
Open No.2
acrylic on wooden panel, 40 × 40 cm, 2022
Open No.3
acrylic on wooden panel, 40 × 40 cm, 2022
Open No.4
acrylic on wooden panel, 40 × 40 cm, 2022
Sisterhood No.1
acrylic on wooden panel, 40 × 40 cm, 2022
Sisterhood No.2
acrylic on wooden panel, 40 × 40 cm, 2022
Sisterhood No.3
digital mockup, 40 × 40 cm, 2022
Check In To 2021
acrylic on wooden panel, 60 × 60 cm, 2021
Sixteen Doughnuts
acrylic on wooden panel, 40 × 40 cm, 2020
Lockdown Vortex
acrylic on wooden panel, 40 × 40 cm, 2020